Stanley Anderson (1884-1966), Sheep Shearing, engraving, 1942. Edition of 350 for the Chicago Society of Etchers. 7 1/2 x 6 inches. Signed in pencil.  $725.00
Stanley Anderson (1884-1966), Chartres Cathedral, etching, 1911. Hardie 22. Edition of 50. 11 13/16 x 8 7/8 inches. Signed in ink.   $525.00
Edmund Blampied (1886-1966), Vraic Men, drypoint, 1919. Dodgson 43. Edition of 80. 9 15/16 x 12 7/8 inches. Signed in pencil.   $975.00
Edmund Blampied (1886-1966), A Jersey Vraic Cart, etching, 1939. Appleby 183. Edition of 250 for the Print Club of Cleveland. 8 9/16 x 11 1/16 inches. Signed in ink.   $950.00
Edmund Blampied (1886-1966), Ostend Horse, drypoint, 1926-1927. Edition of 100. 7 1/16 x 8 15/16 inches. Signed in pencil.   $750.00
Henry Bernard Chalon (1770-1849), Wild Horses, lithograph, 1804. Man 32. 8 7/8 x 12 5/8 inches. One of the first chalk lithographs to be created in England.  $1800.00
Eric Gill (1882-1940), Dress, wood engraving, 1921. Physick 186. One of 80 impressions on Batchelor handmade paper, from the Cleverdon edition of 1929. 3 9/16 x 3 inches.  $250.00
Eric Gill (1882-1940), The Skaters, engraving, 1926. Physick 368. One of 80 impressions on japan paper, from the Cleverdon edition of 1929. 4 1/2 x 4 1/2 inches.  $250.00
Sylvia Gosse (1881-1968), Charlotte couche, etching, ca.1925. Edition of probably 25. 6 7/8 x 9 3/8 inches. Signed in pencil. $375.00
Seymour Haden (1818-1910), A Likely Place for a Salmon, etching and drypoint with extensive additions in pencil., 1869 and later. Harrington 141, Schneiderman 129, a proof impression between the third and fourth states (of eight). 4 3/16 x 10 inches. Signed and inscribed in pencil. With an unidentified collector's mark verso (Lugt 2368b).  $950.00
Seymour Haden (1818-1910), The Towing Path, etching and drypoint, 1864. Harrington 76, Schneiderman 72, ix/XVII. 5 1/2 x 8 3/8 inches.  $825.00
Seymour Haden (1818-1910), A Sunset in Ireland, etching and drypoint, 1863. Harrington 51, Schneiderman 47, xiii/XIV. 5 3/8 x 8 7/16 inches. Signed in pencil. Ex. collection: Edmund and Jules de Goncourt (Lugt 1089, with this impression noted) and Edward D. Balken (Lugt 843), an early 20th century paper conservator at the Carnegie Institute.  $2800.00
William Lee-Hankey (1869-1952), Minding the Flocks, drypoint, 1920. Hardie 187. 13 13/16 x 11 7/16 inches. Signed in pencil.  Sold
William Lee-Hankey (1869-1952), A Corner of the Fishmarket, drypoint, 1919. Hardie 165. Edition of 100. 7 15/16 x 5 7/8 inches. Signed in pencil.  $425.00
Alfred Hartley (1855-1933), Landscape with Cattle, etching, ca. 1910. 8 7/16 x 7 7/8 inches. Signed in pencil.  $325.00
William Holman Hunt (1827-1910), A Day in the Country, etching, 1865. Hartnoll 16. 7 1/2 x 10 1/4 inches (plate).  $425.00
James McBey (1883-1959), A Regatta on the Grand Canal, drypoint, 1930. Hardie 248. Edition of 80. 15 1/2 x 9 inches. Signed in ink.  $1400.00
William Nicholson, British (1872-1948), Alte Frau, woodcut with lithographic color, 1897. Campbell 38c, as published for Pan. 9 5/8 x 7 5/8 inches. This woodcut was initially titled G for Gipsy but was replaced in Nicholson's Alphabet with G for Gentleman.  $325.00
Malcolm Osborne (1880-1963), My Mother, drypoint, 1909. Salaman 20. Edition of 30. 12 7/16 x 9 3/16 inches. Signed in pencil.  $475.00
Malcolm Osborne (1880-1963), Nathaniel Sparks, Esq., drypoint, 1921. Salaman 66. Edition of 50. 9 3/8 x 8 3/16 inches. Signed in pencil.  Sold
Malcolm Osborne (1880-1963), Stanley Anderson, Esq., drypoint, 1925. Salaman 84. Edition of 50. 11 1/16 x 9 1/4 inches. Signed in pencil.   $1250.00
Ernest Peirce (1886-1961), The Empire Theatre, drypoint, 1926.12 1/2 x 7 7/8 inches. Signed in pencil.The marquee announces "Lady Be Good" starring Fred and Adele Astaire, the theater's last production before it was demolished and rebuilt as a cinema.  $400.00
Charles Shannon (1863-1937), The Promontory, lithograph in green ink, 1907. Ricketts 74. Edition of 40. 7 3/4 x 16 3/8 inches. Signed in pencil.  $625.00
Walter Richard Sickert, British (1860-1942), Dieppe from the Harbour, etching, ca. 1885. Bromberg 66, a proof impression before B's first state of three. A possilby unique impression, before the bottom half of the plate is burnished. 7 15/16 x 7 13/16 inches. A quite rare plate. Bromberg records one known impression of her first state, one of the second and two of the third and final state.  Sold
Charles William Taylor (1878-1960), Benfleet, engraving, 1930. Edition of 55. 7 11/16 x 5 7/8 inches. Signed in pencil.  Sold
John Witcombe (1872-1918), The Black Mill, color monotype, 1913.8 13/16 x 15 3/8 inches. Signed and dated in pencil.   $450.00
William L. Wyllie (1851-1931), Gulls, aquatint, drypoint, roulette and etching, ca. 1900.12 1/8 x 8 5/8 inches. Signed in pencil.   $675.00

 

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Unless otherwise noted, these prints are all fine impressions in generally fine condition. All are unconditionally guaranteed to be authentic and as described.
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