Stanley Anderson, British (1884-1966), The National Gallery, etching, 1925. Hardie 111. Edition of 106 for the Print Collector’s Club. 8 7/8 x 11 3/8 inches. Signed and titled in ink. Fne condition apart from slight discoloration in the margins and tape stains, verso.  Sold
Stanley Anderson, British (1884-1966), The Madonna of the Arches, engraving, 1925. Hardie 108. Edition of 50. 10 1/8 x 12 11/16 inches. Signed and titled in pencil.  Sold
Stanley Anderson (1884-1966), Sheep Shearing, engraving, 1942. Edition of 350 for the Chicago Society of Etchers. 7 1/2 x 6 inches. Signed in pencil.  $725.00
Robert Austin, British (1895-1973), Women in Church, etching and engraving, 1924. Dodgson 48, ii/II. Edition of 50. 5 5/8 x 4 5/8 inches. Signed in pencil.  $375.00
Robert Austin, British (1895-1973), Barge Horse Pulling, drypoint with extensive additions in pencil, 1921. Dodgson 26. Unique, this is the only impression of the plate. 4 7/8 x 5 9/16 inches. Signed and inscribed in pencil.  $450.00
Robert Austin, British (1895-1973), Wayside Family, etching, 1923. Dodgson 39, ii/II. Uneditioned; this is one of only a few proof impressions. 6 x 7 3/8 inches. Signed and inscribed in pencil (The Wayside Family / This proof is for White Chapel show).  $400.00
Edmund Blampied (1886-1966), Madame Dupré, drypoint, 1929-30. Appleby 147. Edition of 100. 8 5/8 x 7 3/16 inches. Signed in ink.  $975.00
Edmund Blampied (1886-1966), Vraic Men, drypoint, 1919. Dodgson 43. Edition of 80. 9 15/16 x 12 7/8 inches. Signed in pencil.   $975.00
Edmund Blampied (1886-1966), A Jersey Vraic Cart, etching, 1939. Appleby 183. Edition of 250 for the Print Club of Cleveland. 8 9/16 x 11 1/16 inches. Signed in ink.   $950.00
Edmund Blampied (1886-1966), Ostend Horse, drypoint, 1926-1927. Edition of 100. 7 1/16 x 8 15/16 inches. Signed in pencil.   $750.00
Muirhead Bone, Scottish (1876-1953), The Solent, drypoint, 1920. Dodgson 374. Edition of 94 in 14 states. 6 15/16 x 9 7/8 inches. Signed in pencil.  $725.00
Cynthia Burnley, British (fl. ca. 1929-1939), Aspidistra, wood engraving, 1929. Edition of 35. 5 9/16 x 8 inches. Signed and titled in pencil.   $475.00
Cynthia Burnley, British (fl. ca. 1929-1939), Keldhead, wood engraving, 1929. Edition of 50. 3 9/16 x 2 9/16 inches. Initialed and titled in pencil.   Sold
Henry Bernard Chalon (1770-1849), Wild Horses, lithograph, 1804. Man 32. 8 7/8 x 12 5/8 inches. One of the first chalk lithographs to be created in England.  $1800.00
Nelson Dawson, British (1859-1941), Fisherman’s Haven, soft ground etching, ca. 1915. 8 7/8 x 8 7/8 inches. Signed and titled in pencil and inscribed “Reserve proof”.  $275.00
Nelson Dawson, British (1859-1941), Two Girls, etching, aquatint and roulette, ca. 1915. 8 3/4 x 10 9/16 inches. Signed in pencil.  Sold
Eric Gill (1882-1940), Dress, wood engraving, 1921. Physick 186. One of 80 impressions on Batchelor handmade paper, from the Cleverdon edition of 1929. 3 9/16 x 3 inches.  $250.00
Eric Gill (1882-1940), The Skaters, engraving, 1926. Physick 368. One of 80 impressions on japan paper, from the Cleverdon edition of 1929. 4 1/2 x 4 1/2 inches.  $250.00
F.L. Griggs, British (1876-1938), In Radnor Forest, pen and ink on paper, 1902. 6 1/4 x 4 3/4 inches. Signed and dated in ink, lower right. An illustration for Highways and Byways in South Wales (page 25).  $1100.00
Seymour Haden (1818-1910), The Towing Path, etching and drypoint, 1864. Harrington 76, Schneiderman 72, ix/XVII. 5 1/2 x 8 3/8 inches.  $825.00
Seymour Haden (1818-1910), A Sunset in Ireland, etching and drypoint, 1863. Harrington 51, Schneiderman 47, xiii/XIV. 5 3/8 x 8 7/16 inches. Signed in pencil. Ex. collection: Edmund and Jules de Goncourt (Lugt 1089, with this impression noted) and Edward D. Balken (Lugt 843), an early 20th century paper conservator at the Carnegie Institute.  $2800.00
William Lee-Hankey (1869-1952), A Corner of the Fishmarket, drypoint, 1919. Hardie 165. Edition of 100. 7 15/16 x 5 7/8 inches. Signed in pencil.  $425.00
Alfred Hartley (1855-1933), Landscape with Cattle, etching, ca. 1910. 8 7/16 x 7 7/8 inches. Signed in pencil.  $325.00
Augustus John (1878-1961), Old Man, Seated, etching, 1906. Dodgson 99. Edition of 25. 4 x 6 inches. Signed in pencil.  $525.00
Richard Josey, British (1841-1906), Arrangement in Grey and Black (or Whistler's Mother), mezzotint after Whistler, 1879. Getscher 78. 17 1/4 x 17 9/16 inches. Signed in pencil. On chine appliqué, in fine condition apart from slight staining at the edges of the sheet.  $975.00
James McBey (1883-1959), Beach Court Gloucester, pen and ink and watercolor on paper, 1930. 17 1/2 x 11 1/4 inches (sheet). Signed and dated in ink, lower left and titled in pencil, lower right.  Sold
James McBey, Zero. A Sixty-five Pounder Opening Fire, drypoint, 1920. Hardie 201. Edition of 76. 8 1/8 x 12 inches. Signed in ink.  $1200.00
James McBey (1883-1959), A Fierce Bull, drypoint, 1911. Hardie 108. Edition of only 8 proofs. 5 3/8 x 7 15/16 inches. Signed in ink.  $725.00
Mortimer Menpes, British (1860-1938), Musée de Cluny, drypoint, ca. 1905. Edition of 50. 11 15/16 x 16 3/16 inches. Signed in pencil.  $500.00
Malcolm Osborne (1880-1963), My Mother, drypoint, 1909. Salaman 20. Edition of 30. 12 7/16 x 9 3/16 inches. Signed in pencil.  $475.00
Ernest Peirce (1886-1961), The Empire Theatre, drypoint, 1926.12 1/2 x 7 7/8 inches. Signed in pencil.The marquee announces "Lady Be Good" starring Fred and Adele Astaire, the theater's last production before it was demolished and rebuilt as a cinema.  $400.00
Charles Shannon (1863-1937), The Promontory, lithograph in green ink, 1907. Ricketts 74. Edition of 40. 7 3/4 x 16 3/8 inches. Signed in pencil.  $625.00
Frank Short, British (1857-1945), A Span of Old Battersea Bridge, aquatint and soft ground etching, 1899. Hardie 155. 7 1/2 x 11 5/8 inches. Signed in pencil.  $975.00
Charles Tunnicliffe (1901-1979), To the Slaughter, etching, 1925-26. Edition of 75. 11 1/2 x 8 3/8 inches. Signed in pencil.  $1250.00
Thomas Way, Greenwich Hospital, lithograph, ca. 1896. Edition of 25 as printed for the set The Thames, from Chelsea to the Nore. 6 3/8 x 6 1/8 inches (image). Signed in pencil.   Sold
Thomas Way, From Rosherville Gardens, lithograph, ca. 1896. Edition of 25 as printed for the set The Thames, from Chelsea to the Nore. 7 7/8 x 6 1/2 inches (image). Signed in pencil.  $225.00
John Witcombe (1872-1918), The Black Mill, color monotype, 1913.8 13/16 x 15 3/8 inches. Signed and dated in pencil.   $450.00
William L. Wyllie (1851-1931), Gulls, aquatint, drypoint, roulette and etching, ca. 1900.12 1/8 x 8 5/8 inches. Signed in pencil.   $675.00

 

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Unless otherwise noted, these prints are all fine impressions in generally fine condition. All are unconditionally guaranteed to be authentic and as described.
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