Stanley Anderson (1884-1966), Sheep Shearing, engraving, 1942. Edition of 350 for the Chicago Society of Etchers. 7 1/2 x 6 inches. Signed in pencil.  $725.00
Robert Austin, British (1895-1973), Barge Horse Pulling, drypoint with extensive additions in pencil, 1921. Dodgson 26. Unique, this is the only impression of the plate. 4 7/8 x 5 9/16 inches. Signed and inscribed in pencil.  $450.00
Robert Austin, British (1895-1973), Wayside Family, etching, 1923. Dodgson 39, ii/II. Uneditioned; this is one of only a few proof impressions. 6 x 7 3/8 inches. Signed and inscribed in pencil (The Wayside Family / This proof is for White Chapel show).  $400.00
Edmund Blampied (1886-1966), Madame Dupré, drypoint, 1929-30. Appleby 147. Edition of 100. 8 5/8 x 7 3/16 inches. Signed in ink.  $975.00
Edmund Blampied (1886-1966), Vraic Men, drypoint, 1919. Dodgson 43. Edition of 80. 9 15/16 x 12 7/8 inches. Signed in pencil.   $975.00
Edmund Blampied (1886-1966), A Jersey Vraic Cart, etching, 1939. Appleby 183. Edition of 250 for the Print Club of Cleveland. 8 9/16 x 11 1/16 inches. Signed in ink.   $950.00
Edmund Blampied (1886-1966), Ostend Horse, drypoint, 1926-1927. Edition of 100. 7 1/16 x 8 15/16 inches. Signed in pencil.   $750.00
Cynthia Burnley, British (fl. ca. 1929-1939), Aspidistra, wood engraving, 1929. Edition of 35. 5 9/16 x 8 inches. Signed and titled in pencil.   $475.00
Cynthia Burnley, British (fl. ca. 1929-1939), Keldhead, wood engraving, 1929. Edition of 50. 3 9/16 x 2 9/16 inches. Initialed and titled in pencil.   $350.00
Henry Bernard Chalon (1770-1849), Wild Horses, lithograph, 1804. Man 32. 8 7/8 x 12 5/8 inches. One of the first chalk lithographs to be created in England.  $1800.00
Eric Gill (1882-1940), Dress, wood engraving, 1921. Physick 186. One of 80 impressions on Batchelor handmade paper, from the Cleverdon edition of 1929. 3 9/16 x 3 inches.  $250.00
Eric Gill (1882-1940), The Skaters, engraving, 1926. Physick 368. One of 80 impressions on japan paper, from the Cleverdon edition of 1929. 4 1/2 x 4 1/2 inches.  $250.00
F.L. Griggs, British (1876-1938), In Radnor Forest, pen and ink on paper, 1902. 6 1/4 x 4 3/4 inches. Signed and dated in ink, lower right. An illustration for Highways and Byways in South Wales (page 25).  $1100.00
Seymour Haden (1818-1910), The Towing Path, etching and drypoint, 1864. Harrington 76, Schneiderman 72, ix/XVII. 5 1/2 x 8 3/8 inches.  $825.00
Seymour Haden (1818-1910), A Sunset in Ireland, etching and drypoint, 1863. Harrington 51, Schneiderman 47, xiii/XIV. 5 3/8 x 8 7/16 inches. Signed in pencil. Ex. collection: Edmund and Jules de Goncourt (Lugt 1089, with this impression noted) and Edward D. Balken (Lugt 843), an early 20th century paper conservator at the Carnegie Institute.  $2800.00
William Lee-Hankey (1869-1952), A Corner of the Fishmarket, drypoint, 1919. Hardie 165. Edition of 100. 7 15/16 x 5 7/8 inches. Signed in pencil.  $425.00
William Lee-Hankey, British (1869-1952), Le Matin, drypoint, 1925-26. Post Hardie. Edition of 100. 9 5/8 x 11 5/8 inches. Signed in pencil and with the artist’s blindstamp.   Sold
Alfred Hartley (1855-1933), Landscape with Cattle, etching, ca. 1910. 8 7/16 x 7 7/8 inches. Signed in pencil.  $325.00
Augustus John (1878-1961), Old Man, Seated, etching, 1906. Dodgson 99. Edition of 25. 4 x 6 inches. Signed in pencil.  $525.00
Richard Josey, British (1841-1906), Arrangement in Grey and Black (or Whistler's Mother), mezzotint after Whistler, 1879. Getscher 78. 17 1/4 x 17 9/16 inches. Signed in pencil. On chine appliqué, in fine condition apart from slight staining at the edges of the sheet.  $975.00
James McBey (1883-1959), Beach Court Gloucester, pen and ink and watercolor on paper, 1930. 17 1/2 x 11 1/4 inches (sheet). Signed and dated in ink, lower left and titled in pencil, lower right.  $2500.00
James McBey, Zero. A Sixty-five Pounder Opening Fire, drypoint, 1920. Hardie 201. Edition of 76. 8 1/8 x 12 inches. Signed in ink.  $1200.00
James McBey (1883-1959), A Fierce Bull, drypoint, 1911. Hardie 108. Edition of only 8 proofs. 5 3/8 x 7 15/16 inches. Signed in ink.  $725.00
James McBey (1883-1959), A Regatta on the Grand Canal, drypoint, 1930. Hardie 248. Edition of 80. 15 1/2 x 9 inches. Signed in ink.  $1400.00
Malcolm Osborne (1880-1963), My Mother, drypoint, 1909. Salaman 20. Edition of 30. 12 7/16 x 9 3/16 inches. Signed in pencil.  $475.00
Malcolm Osborne (1880-1963), Stanley Anderson, Esq., drypoint, 1925. Salaman 84. Edition of 50. 11 1/16 x 9 1/4 inches. Signed in pencil.   $1250.00
Ernest Peirce (1886-1961), The Empire Theatre, drypoint, 1926.12 1/2 x 7 7/8 inches. Signed in pencil.The marquee announces "Lady Be Good" starring Fred and Adele Astaire, the theater's last production before it was demolished and rebuilt as a cinema.  $400.00
Charles Ricketts, British (1866-1931), Inondation, Wood engraving, 1894. Stein and Karshan 68. Edition of 100. 3 7/16 x 3 5/8 inches. Signed in pencil. On heavy japon paper, tipped to a large support sheet as issued by L’Estampe originale.  $375.00
Charles Shannon (1863-1937), The Promontory, lithograph in green ink, 1907. Ricketts 74. Edition of 40. 7 3/4 x 16 3/8 inches. Signed in pencil.  $625.00
Frank Short, British (1857-1945), The Snow Drift, mezzotint, 1904. Hardie 83, ii/II. 6 3/4 x 14 15/16 inches. Signed in pencil.   $525.00
Charles Tunnicliffe (1901-1979), To the Slaughter, etching, 1925-26. Edition of 75. 11 1/2 x 8 3/8 inches. Signed in pencil.  $1250.00
Thomas Way, Greenwich Hospital, lithograph, ca. 1896. Edition of 25 as printed for the set The Thames, from Chelsea to the Nore. 6 3/8 x 6 1/8 inches (image). Signed in pencil.   $250.00
Thomas Way, From Rosherville Gardens, lithograph, ca. 1896. Edition of 25 as printed for the set The Thames, from Chelsea to the Nore. 7 7/8 x 6 1/2 inches (image). Signed in pencil.  $225.00
John Witcombe (1872-1918), The Black Mill, color monotype, 1913.8 13/16 x 15 3/8 inches. Signed and dated in pencil.   $450.00
William L. Wyllie (1851-1931), Gulls, aquatint, drypoint, roulette and etching, ca. 1900.12 1/8 x 8 5/8 inches. Signed in pencil.   $675.00

 

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The above represents only a small part of our collection. To place an order or for any additional information, please contact us.
Unless otherwise noted, these prints are all fine impressions in generally fine condition. All are unconditionally guaranteed to be authentic and as described.
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